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Get inside March Madness with SI.com's Luke Winn in the Tourney Blog, a daily journal of college basketball commentary, on-site reporting and reader-driven discussions.
Putting The 'Click-Clacks' On J.J.
ATLANTA -- LSU wanted to be humble about this one. They didn't mosh on the floor after their monumental, 62-54 upset of No. 1-seeded Duke in the Sweet 16. They stayed composed in the press conference. But when freshman forward Tasmin Mitchell answered a Blackberry call in the locker room long after he had changed into his sweats -- and saw it was a friend who didn't think the Tigers could actually win -- he yelled into the mouthpiece, "J.J. who? J.J. who?" The End Of The RoadJ.J. Redick in 2006's Sweet 16 loss to LSU: 3-for-18 shooting, 2-for-2 FTs; 3-for-9 3s; 11 points. 62-54 loss. Redick, who was hounded by Garrett Temple, the Tigers' tireless freshman guard: "Certain things are under your control, and certain things are out of your control. I'm not a great athlete, and LSU has great athletes. It was just a very physical game and obviously I'm disappointed in the way I played." The squad with the great athlete is moving on. Readers, what did you think Duke tonight? Were the Blue Devils outplayed, or did they err by not running Redick off of more double screens? He only had one good look all night that came off of a set play. (More to come soon -- talk amongst yourselves in the meantime.) Let The Regionals Begin
While LSU warmed up, I spotted Duke's secret stash of bench-side candy. (Honestly, this is what the Blue Devils eat. It's piled right next to their towels.)
We did spot one NBA exec outside the Georgia Dome. Can you guess who he is from this postage-stamp size shot? He got his tickets from the Duke Will Call, but he didn't go to school there ... Geeked Up For TonightTeam Tempo (Rk.) OEff. (Rk.) DEff. (Rk.)WHAT IT MEANS: The Blue Devils and Tigers play at similar speeds and have nearly equal defenses -- but Duke's offense is significantly more efficient. It would be in LSU's best interest to slow the game down and minimize the gap. Now, let's examine it from a point-distribution angle (all figures are percentages) when each team has the ball: When Duke has the ball FTs 2s 3sWHAT IT MEANS: The Blue Devils intend to draw far more fouls than LSU typically commits. The refs -- and the Tigers' level of defensive restraint -- will play a huge role. When LSU has the ball FTs 2s 3sWHAT IT MEANS: Now this is important. The points that the Blue Devils typically yield are arrayed almost exactly how LSU would prefer to score, which is a great thing for the Tigers. They live mainly off of 2s, where the Blue Devils are weakest, and hardly at all off of 3s, where Duke is the stingiest squad in the nation. We'll revisit this data at the end of the night. If the Tigers follow their standard game plan and keep the pace slow, an upset will be in the works. If LSU's guards can't run the offense through Big Baby, and Duke pushes the tempo, the Blue Devils will win in a rout. Turning A Blind EyeHere was Cincinnati president Nancy Zimpher's comment on Huggins after he left the school in August -- alluding to both Huggins' and his players' run-ins with the law: "We expect our coaches to be role models, and we expect our students to be role models. We make no apologies for setting high standards." What will K-State say? That, simply, "We expect to win"? Readers, what do you think? Hoop Tunes
Gibson's influence was H-town chopped-and-screwed music (G&I's lyrics were rapped over Lil' Flip's Game Over), hence the Screwston, Tx., hat he likes to sport backwards. I still have Lil' Flip on my iPod too, and it got me thinking about all the music that's made its way into our basketball coverage in the past year. Most -- but not all -- of it has been hip-hop-related. J.J. Redick's car stereo was playing Journey's Don't Stop Believin' when SI's Grant Wahl followed Duke in October, but Redick told Matt Waxman that his fave artist is Kanye West and his preferred poet is Tupac. If you doubt the importance athletes place on hip-hop, Wahl told me that one of first things UNC's Rashad McCants said to him on the floor after winning last year's national title was, "Jay-Z's here" -- because the Jiggaman had made the trip to St. Louis and was in the stands with Beyonce. When I hopped into Glen "Big Baby" Davis' Dodge Magnum a few weeks ago, he said, "Just roll with the big fella," and exclusively spun one disc -- Lil' Wayne's Tha Carter, Vol. 2. "This is Louisiana music," Davis said, and I kept hearing Lil' Wayne cuts everywhere I went on that trip. I sat near Davis as he had a tattoo of his mother, Toyna, inked onto his chest at Effum Body Works in Baton Rouge, and LSU wide receiver Dwayne Bowe -- who had randomly strolled in for a tat of his own -- was standing next to me, ham-rapping Wayne's Best Rapper Alive into Big Baby's grill to take his mind off the pain of the needle. As a kid, though, Davis was into James Brown: He hooked me up with the video at right (click the pic to play it), from his sixth-grade talent show, of him lip-syncing and deftly dancing to Get Up (I Feel Like A Sex Machine).
The Tivoli stereo here in the room is winding down on my road-trip album of the week, Loose Fur's Born Again In the USA (the trio of Jim O'Rourke and Wilco's Jeff Tweedy and Glenn Kotche). I've been alternating between that album and Destroyer's Rubies for a few days now, and I fear that indie-rock, despite my efforts to keep it alive in the Blog, is also sorely under-represented in the college game. As Big Baby said to me during that car ride, "Your music is called indie rock? What the hell is that?" |
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