SCUBACADABRA
The time has
come, the Scubist said,
To talk of many things,
Of tanks and tubes and diving gear,
And snorkelers and slings,
And catching squirrelfish by hand,
And why octopi have wings.
Before our scuba
trip was over, we had indeed talked of many things. There were the hours
driving together to and from the boat landing, plying back and forth from the
diving grounds when we lolled around in the salt-soaked, rain-splashed cabin
(after the first two days nobody bothered to try to keep dry). There were the
few sunny hours when we sprawled on the little deck, among the tangle of tanks,
tubes, regulators, weight belts, spears and great napping towels. Above all,
there were the lunch-break hours between dives. Then Art, consuming vast
quantities himself, always warned the rest of us to "go light" on the
food. He would explain how a big meal might suddenly "get stuck here"
(pointing to his jugular area) when you dived. He, for example, loved peanut
butter. But peanut butter was the worst, especially if you ate hard-boiled eggs
with it. "Once, after I and my brother had about 20 of these peanut butter
sandwiches, we dive, and first thing, a big Nassau grouper comes along...."
This was one of the few sad stories in the Pinder saga: the peanut butter
backfired on both Pinders, and the fish got away.
And there were
the evenings (never long, for divers who love to dive get to bed early and
drink and smoke little). Mostly, Louisa and I spent them together at Sir
Victor's. But sometimes we all went to Black Beard's, where Art could get his
massive steaks. Art never tired of the sight of fish, but he couldn't bear the
taste of them. I fancied that in his subconscious he felt that spearing fish
was a form of justifiable homicide but that eating them was unjustifiable—it
was cannibalism. Art never speared a small fish (by which he meant under 10
pounds) if he could help it, never left a wounded fish to die in the sea and
wouldn't kill any fish that was what he called "kind of pretty." I
think he would righteously spear any man he caught spearing a queen
angelfish.
Art, to our
surprise, often did not know the names of the most familiar little reef fish.
My own passion for the tiny blue-and-gold fairy bass and blue-and-sapphire
jewelfish aroused his curiosity sufficiently so that on one day's dive he
deigned to hang on to a coral spire beside me watching a school of them for
almost 10 minutes. Then he flippered away and came back with a bag of chum and
tried to help me feed them.
We talked of the
difficulties in terminology which surround underwater swimming. Snorkeler and
spearfisher are self-explanatory terms. But there is really no popular and
accurate word for the person who goes under the water in a self-contained
underwater breathing apparatus. "Skin-diver" is not a very accurate
description of a person who dives not only with a lung but often wearing thick
underwear under an all-over rubber suit, as cold-water divers do. "Tank
diver" and "lung diver" are cumbersome terms; "tanker" and
"lunger" are ugly, "Scuba-diver" is the most accurate, but
"scubist" is shorter. I suggested that if we accepted scubist we could
then speak of a scientific scubist, a camera scubist, a scubbiologist, a
scubichthyologist, a scubarchaeologist, a scuba worker, a scubindustrialist, a
treasure scubist, or a scubexplorer and, of course, a scubbuddy. The field
opened out. Art, who had dived the length and breadth of the Caribbean, was
obviously not only scubiquitous, he was a scuberman among scübermenschen,
except when he was a scubbaby-sitter for scubdubs like scubartist Louisa and
scubballs like me.
We talked of
scubistic psychology. Why do some people yearn to dive, others shiver with
fright at the thought of it? I told Coles about a newspaper account I had
recently read of an analyst's speech at the American Psychoanalytical
Association in San Francisco.* This analyst had said that the way scuba-divers
talk and write indicates that they equate the ocean with their mother's womb;
they are, he said, victims of a "shallow-water euphoria" which
"makes them think they are somehow once again utterly safe in their
mothers' arms." The scubist who comes to crave his feeling of scubeuphoria
"thus may develop a dangerous addiction to diving." Fifty feet down he
may decide to sack out—for good—in mama ocean's arms.
Coles said,
"The guy who wrote that was either never under water or never in a
womb."
Alone, Louisa and
I spoke of underwater things in a different way. We decided that fish have
temperaments no less than humans and land creatures. The queen angelfish is
serene, the squirrelfish is definitely cocky, the bream is shy. Porpoises are
playful and groupers amiable (until pushed too far). Pipefish are erratic,
flying fish flighty, schoolmasters and doctorfish pompous. Sergeant majors are
impudent, demoiselles spunky, amberjacks curious, rock hinds placid, sea horses
snippy and flounders hopelessly phlegmatic. Fairy bass are hysterical Tinker
Bells, and four-eyed butterfly fish are the clowns of the reef. The octopus is
timid (really!). Barracudas are treacherous, sharks are maniacal, and moray
eels are secretive, treacherous and paranoiac.
We talked, too,
of a skin-diver's feeling of deep humility when he knows himself to be a mere
human anchovy in the world of the leviathan whale. Of how, as he drifts about
within his infinitesimal globule of the mighty ocean "exploring" his
splintered splinter of the splintered coral reef, he feels his own ignorance
and helplessness, as a blind man must feel his blindness. Of how, nevertheless,
down there he feels so keenly God's presence, recognizing the work of the great
artist's hand. For the artist is recognized by his style—his subjects change,
but his style does not change. We noted, awestruck, the extraordinary
resemblance between many coral forms and the cacti forms that bloom on deserts
from which the sea subsided eons ago. Is the parrot fish a bird with scales, a
parrot a fish with feathers? We saw hope for the world in the sea: the
victorious struggle over the centuries of the coral communities against that
mightiest force, the sea, bears witness to us that the forces of creation
overtake—slowly, slowly—the forces of destruction.