Pat flinches. Why, she wonders, can't people look at the photograph in context, why can't they understand that she's as swift to drop her whole life and rush to her players' sides when they have problems as she is to drop the roof on them when they screw up? That she's Miss Hazel's daughter every inch as much as she is Tall Man's? That she grew up watching and imitating her mother, who was the first to visit the sick or the dying, first to pick, pluck, prepare and deliver a meal of butter beans and fried chicken and mashed potatoes and homemade ice cream to the worried or the grieving?
Pat calls Michelle's mother to try to explain. "She's all yours, Pat," says Betsy, but privately she and her husband are aching for their child and wondering about Pat, too. Doesn't Pat understand that Michelle isn't just like her? Doesn't she know that Michelle's father is tough too, an old college fullback, but that every night he gave his girl a good-night kiss?
Life's funny, though, and something else happens in that 1994 NCAA tournament game after Pat grabs Michelle's jersey: Michelle grabs Pat's heart. She comes in at point guard when the Lady Vols are gagging in the second half, down by 18, and nearly saves them single-handedly before they lose by three. Furious drives to the basket, long jumpers, brilliant passes, knee-burning steals.
Pat sits there shaking her head, the truth moving from her mind into her gut. Michelle is the only one out there refusing to lose; the only one just like her! Pat can't wait. She tells Michelle right after the game: Tiffany's out. You're in. You're my starting point guard next year. "But remember," Pat says, "the point guard's an extension of me on the court. You've never been through anything like what you're about to go through."
Michelle goes home. She places one large framed picture of Pat twisting her jersey and snarling at her on her bedroom wall, and one small framed picture of the same scene on the dashboard of her car. Now Pat's everywhere Michelle goes, everywhere Michelle hides.
We've got an appointment, so let's break into a trot. Let's dash right past another year and a half; let's bully Time, the way Pat does. Let's fly by the day Pat throws her starting point guard out of practice in her junior year, past the day when Michelle finally crumbles and sobs in front of everyone. Let's jump clean over the last day of that same junior year, when Michelle comes within a whisker of her dream but loses in the NCAA title game to Connecticut—still unsure of herself on the floor in critical moments, still whirling between Pat's way and her way, no longer the All-America guard nor even the all-conference one.
There it goes—did you see it?—the day midway through Michelle's senior season when Pat makes her sit on a chair at midcourt, like a bad schoolgirl, and watch practice, then makes her move the chair to the far end of the floor after she whispers to a teammate.
We've got an appointment to keep, an appointment with an ice storm in Mississippi, coldest night of Michelle's life. It's February 1996. Time's not ticking now for Pat and Michelle. It's hammering. Pat has fixed that problem she had of making it to the Final Four and losing, fixed it mostly by persuading the best recruiter in the country, DeMoss, to leave Auburn in 1985 and be her assistant. Pat has won national titles in '87, '89 and '91, but four years have elapsed since her last one, way too long, and she needs her team leader, Michelle, as much as Michelle needs her.
Michelle's desperate. It's her last shot at the title, her last shot to make all this pain pay off. Her last chance to regain the kind of national acclaim that vanished for her after high school, to become a player whom the two fledgling women's pro leagues will come looking for. But how can she? The Lady Vols are 17-3, but they look nothing like a title team—and guess whose fault that is?
Now Pat's team has gotten skunked a fourth time, by Mississippi, and Michelle has gone 0 for 7 from the field and fouled out, having played as if she could feel Pat's eyes burning through her back. The bus is crawling toward the airport, across the ice, through the darkness; crawling as Michelle listens to Pat, a few seats away, ridicule her; crawling as Pat rises and takes a seat next to Michelle and tells her that unless something drastic happens, she doesn't think the Lady Vols can win a championship with Michelle as their point guard. It's hopeless—no lip-biting can possibly dam it now that the gates are open, now that Pat has already brought Michelle to tears twice that day, at halftime and just after the game, and...here it...here it comes...the third wave of sobs.