In the secret
reaches of his private universe, there is little that the dreamer in Bill Veeck
says can't be done. His success, his failures, his joys, his sorrows have
created an extravagant legend that even for him tends to obscure reality. To
the public, Bill Veeck, president of the Chicago White Sox baseball club, is a
brashly clamorous individual who has fashioned a brilliant career out of
defying the customs, conventions and crustaceans of baseball. It is an
authentic yet one-dimensional view. For Veeck is also an intelligent,
impetuous, whimsical, stubborn, tough-fibered, tireless individual with a vast
capacity for living and a deep appreciation for humanity. He is full of the
humor that springs from the unsuppressed human being. To Veeck, baseball is not
an ultra-constitutional mission, a crusade, a holy jousting for men's minds,
souls and pocketbooks, but simply an exhilarating way to make a living. His
approach to the game is seasoned with an almost visceral irreverence, a wit
that is sometimes droll, sometimes raffish, sometimes wry or macabre, and
sometimes abusive. A few months after emerging from the hospital where his
right leg had been amputated, he threw a "coming-out" party. The high
point of the party was achieved when Veeck ripped off his artificial leg and
nourished it before the startled eyes of his guests. "It itches," he
said.
He has the wit
and the grace to make fun of what Veeck hath wrought. When he took over the St.
Louis Browns in 1951, he warned the fans to "stay away unless you have a
strong stomach." Naturally, many fans rushed out to the ball park to see
what he was talking about. "They came out to see if the ball club was as
bad as I said," he says, "and it was." Later on, while making a
public appearance in New York, he apologized for his nervousness. "As
operator of the St. Louis Browns," he explained, "I am not used to
people." He outlined his strategy for making the Browns a pennant
contender. "We've sold half of our ballplayers and hope to sell the
rest," he said. "Our secret weapon is to get a couple of Brownies on
every other team and louse up the league."
Behind this
facade is a man with a highly perceptive vision of baseball's appeal. "This
is an illusionary business," Veeck said not long ago. "The fan comes
away from the ball park with nothing more to show for it than what's in his
mind, an ephemeral feeling of having been entertained. You've got to heighten
and preserve that illusion. You have to give him more vivid pictures to carry
away in his head." The most exalted illusion of all is satisfaction about
the game ("The only guarantee of prosperity in baseball is a winner"),
but that illusion, says Veeck, must be augmented by a feeling that it was fun
to be at the ball game. In support of this conviction, Veeck has given fans
live lobsters, sway-back horses, 30,000 orchids, a pair of un-crated pigeons,
and 200 pounds of ice. He has staged circuses and brought in tightrope walkers
and flagpole sitters and jugglers and the Harlem Globetrotters to perform
between games of a double-header. He has shot off several kilotons of fireworks
(see cover) after night games ("If you win, it's a bonus for the fans on
top of the flush of victory; if you lose, they go away talking about the
fireworks, not the lousy ball game").
Some of his
stunts have been aimed directly at getting customers into his ball parks. In
Milwaukee during World War II he introduced "breakfast baseball" for
night workers in war plants and had ushers in nightshirts serve coffee and
rolls. In Cleveland he spent $20,000 building the Kiddie Koup—for small
children whose mothers wanted to come to the ball park. At St. Louis he held a
Grandstand Managers day in which the fans indicated their choice of strategy
through boos or cheers when placards were held up that said "Infield
back?" or "Bunt?" or "Pinch hitter?" The Browns won the
game 5-3, and Veeck promptly dissolved the Grandstand Managers club. "Quit
while you're ahead," he advised. "You've got a perfect record
now."
At the age of 46,
Veeck retains many of the elfin enthusiasms of his youth, though the years have
thinned his once-bushy, pinkish-blond hair to a pair of tracks and a tuft of
straw and his face has assumed the rutted dignity of a mask done in clay by a
slightly arthritic sculptor. But there has been a quickening of the currents
and contradictions that make up the man. He is an omnivorous reader who likes
to talk out his thoughts. He is a gregarious companion with an introspective
streak. He is an undisciplined spirit of spontaneous inspirations, yet he is
hard-working—he rises at 4 or 5 o'clock virtually every morning and works 16 to
20 hours a day. He is intensely competitive. Even though he has only one leg,
he continues to play tennis and paddle ball. "Does a man stop smiling
because he wears false teeth?" he asks. He is painstakingly unpretentious.
He works in a onetime reception room in Comiskey Park, answers all his mail
himself (writing in longhand on the margins of the letters) and takes phone
calls at all hours of the day and night.
Unlike most
larger-than-life personalities, Veeck exhibits in public a self-deprecatory air
and in private a remarkable sense of charity of heart and purse.
At times he is as
insistent and impetuous in his charities as in his business dealings. When one
friend refused to allow Veeck to buy him a much-needed automobile, Veeck phoned
a children's home in which the friend was interested and announced he would buy
anything it needed. "Take a little time to think it over," he said.
"Take six hours."
Frequently his
greatest labor is preparing a gag to be pulled on a friend. Once Veeck took the
trouble to learn a Slovakian dialect so that he could deliver U.S. Senator
Frank Lausche's "ethnic group" speech—the one where Lausche spills
emotionally and apparently spontaneously into the mother tongue—to a
foreign-born audience that Lausche was about to address. Lausche, of course,
had to forego his own performance. "He was so mad," says Veeck with
tonic glee, "that he wouldn't drive me home."
Veeck has
studied—studied, not browsed in—accounting, architecture and "at law."
(He discovered a few years ago that some states still offer admission to the
bar to persons who study, as Abraham Lincoln did, under a lawyer's guidance and
tutoring.) He reads four books a week, has written a novel ("50,000 words
and now they want me to put in dialogue!") and played a role in an
allegedly professional production of The Man Who Came to Dinner. "Putting
me on the stage was like putting Sarah Bernhardt on second base," he said
at the time. "The theater people would think she was out of place and the
baseball people would know it." His conversation ranges restlessly over a
seemingly limitless mental horizon, from baseball to philosophy and back
again.
It was this
restlessness that touched off, some 11 years ago, the intellectual revolution
that led to his becoming a convert to Roman Catholicism. "I'd studied
everything from Buddhism to Magna Mater," he says. "In fact, I gave
quite a bit of thought to Judaism." He approached Catholicism with a
healthy skepticism, challenging and even dropping instruction when it did not
respond to his intellectual need. "He had the toughest mind I've ever
encountered," says the Rev. George Halpin of Chicago, the priest who
ultimately brought Veeck into the Church. "He was a great student of
comparative religions. He never asked an ordinary question." When Veeck
voiced doubts about a single footnote in a 600-page volume on Catholicism,
Father Halpin spent three days and probed through 13 books with him in an
effort to establish its intellectual validity. "It was a most interesting
three months," says Father Halpin of the period of Veeck's instruction.