It is, more than
anything else, the striving for excellence that Seaver transmitted to his
teammates. He became their leader by setting them a rare example. Two small
incidents display this aspect of Seaver. He had planned, on winning his 20th
game, to celebrate by taking his wife Nancy out for an expensive dinner. But he
won No. 20 as the first game of a doubleheader against Philadelphia. The Mets
then lost the second game, and Seaver saw no reason to celebrate. He and his
wife dined at a hamburger stand.
About a month
later, when almost all of the impossible had happened and the Mets had just
beaten Atlanta to win the National League championship, there was the usual
wild celebration in the dressing room. Seaver stayed a few minutes, but then
slipped out to find a television set where he could watch Baltimore beating
Minnesota. He thought he might spot a point or two about the Oriole
hitters.
This, and the
Seaver who says he'll accept almost anything the Mets want to pay him next year
because he can't think about pitching if he has to worry about money arguments,
and the Seaver who avoids the banquet circuit because he feels too many outside
interests hurt ballplayers, and the Seaver who would have gone to spring
training on a certain date this year even if there had been a baseball players'
strike, and the Seaver who says, "The happiness of baseball is its
competitiveness; that is what I love about the game," are all one young
pitcher. But so is the Seaver who throws spiders and gets in water fights with
the Shea Stadium ground crew—which is why he is the man-child of the Mets.
If perfection is
Seaver's goal—and already some consider him a little too perfect to be true—he
came close to baseball's version of it on the one night last season that may
well have made the Mets. The city of New York had gone without a significant
National League baseball game for a dozen years when on July 9 Seaver took the
mound to work against the league-leading Chicago Cubs. New York was only four
games behind Chicago, and the biggest crowd in the history of Shea Stadium was
out to see if the Mets were real. For eight innings that night Seaver did not
allow a Cub on base while striking out 11 of them. Three times he received
standing ovations at the end of innings, and as he went out to begin the ninth
the crowd stood for him once more. "When I got on the mound," he says,
"I suddenly felt my arms somehow being lifted upward, just as if I had
pressed them against the sides of a doorway for a long period of time."
Seaver got the
first out by fielding a bunt by the leadoff hitter, but then gave up a single
to rookie Jimmy Quails. Gone was the perfect game, but Seaver's performance in
New York's 4-0 win had shown Met fans that the time had finally come to root
for their team instead of laughing at it.
That night—Seaver
now calls it the night of "my imperfect game"—Bud Harrelson, the Mets'
young shortstop and Seaver's roommate, was with his Army Reserve unit at Camp
Drum in upstate New York. Harrelson went to a bar in the nearby city of
Watertown and, while watching the game and Seaver's performance on television,
began to have an unprofessional reaction to what was happening.
"It was like
I was being pulled into the set," he says. "I had so much pride in the
team and in Tom that I guess I kind of lost my head a little. When he went out
to pitch the ninth inning I did something only a kid is supposed to do. I
turned around to a guy standing next to me and said, 'Hey, I know him. I know
Tom Seaver. Tom Seaver is a friend of mine.' "
By the time the
1969 baseball season was over, a large number of Americans were having the same
kind of reaction to both Seaver and his Mets. The Mets excited them. The Mets
cheered them. The Mets were friends. The Mets, in fact, were the only possible
ending to a decade of wondrous performances, surprises, shocks. Sport—as the
following pages show—had never seen anything like the "60s. But what better
way to go into the '70s than to be borne there by the Mets?