"Whatever
Chance tells you, you better check carefully. Listen, Duke Sims asked me, 'What
kind of a guy is Chance?' I told him, 'Duke, I always been an Indians rooter,
but now that Chance is pitching, I hope that when you're catching him you have
six passed balls.' "—Don Elbaum, fight promoter.
"I won't call
Elbaum names. I'll be around long after he's out of the state of Ohio. Is it
going to do me any good to call him names? I refuse to badmouth that no-good
SOB."—Dean Chance.
Can this really
be Wilmer Dean Chance who is party to so rancorous an exchange and, if so, why?
Can Elbaum be shouting about the Dean Chance I have known and loved since he
first came into the big leagues nine years ago? I had never heard Chance's
veracity called into question; on the contrary, his teammates occasionally
threw him dark looks for being excessively frank. For example, when he won 20
games and the Cy Young Award in 1964 his Los Angeles Angels colleagues saw no
particular need of his declaring, "I should have won 30 games and had 15
shutouts, but I got no hitting behind me. I don't know if it will get better
but it sure can't get worse."
Reared to a
height of 6'3" in the cornfields of Ohio, Chance possessed angelic
features; he neither drank nor smoked, nor does he now at 28. But if one is
determined to find fault with him, then it is true that he drove his car along
the Los Angeles freeways as though they were the Utah salt flats and that he
wore outrageous colors long before anyone declared them to be mod. Granted,
there were numerous signs of an eccentric aspect to his personality.
He made good
money pitching, developed a prosperous farm near Wooster, Ohio and acquired a
Smucker's franchise that does a brisk business in gift-wrapped foods, all of
which was necessary to pay his phone bill. Among his excesses, significantly,
was an affinity for placing long-distance calls, starting from the time he
awakened and continuing into the dead of night until he phoned himself to
sleep. The difficulty, however, was that through the first seven years of his
major league existence Chance's phone calls, piercing time zones and destroying
the slumber of legions of acquaintances, made little sense, owing to the fact
that as a rule he had no reason for calling. His modus operandi was to put
through the call on the assumption that by the time it was answered he would
think of something to say. No real harm in that, except that Chance's feverish
telephonitis was symptomatic of the fact that his life was about to take a
perilous turn.
Before long,
circumstances would introduce Chance to the haggling and scheming world of
boxing, which lives by the telephone. And because he would be unable to resist
entering this paradise of telephone action he would in turn run afoul of Don
Elbaum, a feisty little man of 34, a young Edward G. Robinson, widely regarded
as boxing's No. 1 scratcher and hustler. "I have feuds with quite a few
people," says Elbaum pointedly, "but I respect some of them."
It was 14 months
ago, in January 1969, that Chance and Elbaum first recognized one another as
natural opponents. Prior to that time Chance had had no interest in the fight
game, but an Ohio manager named Ed Mears knew him to be a friend of California
heavyweight contender Jerry Quarry and suggested that he sign Quarry to fight a
tuneup at the 7,000-seat Canton Memorial Auditorium and back the show. "Why
not!" thought Chance, inasmuch as promoting the fight would give him an
immediate reason for telephoning Quarry. He experienced no resistance in
persuading Quarry to accept $5,000 and expenses but, being a stranger to
boxing, Chance required a matchmaker to put together his preliminary bouts.
Enter Elbaum—with a friendly smile that Chance would now describe as that of a
Times Square wristwatch peddler.
On the basis of
appearance, if nothing else, the prospective antagonists shaped up as a brutal
mismatch. In one corner, the fair-skinned eager farmer. In the other, starting
from the feet and working up: pointy-toed shoes, an open collar under a
sportcoat, a 5 o'clock shadow, dark glasses the size of saucers, and thick
black hair covering a brain that has established its owner as probably the only
boxing operator between New York and California who is able to earn a living
without resorting to wrestling promotions or side jobs selling home
improvements. Elbaum has been a fight promoter since the age of 19 when he
served as an Army private in Korea. "I made $10,000 in three shows
there," he says. "Then my C.O. called me in." Emerging from the
Army, he made promoting and managing his life's work, doggedly plumbing tank
towns and sometimes fighting on his own cards when preliminary boys failed to
show up. His father Max begged him to become a part of the family hearing-aid
business in Erie, Pa., but to Max's repeated pleas he turned, well, a deaf
ear.
He loved the
sounds and the odors of gyms and the conniving that was carried out over
endless cups of coffee in motel coffee shops. He graduated to Pittsburgh,
Buffalo, Detroit and Akron, and in recent months reached new heights by
effecting a leasing agreement with the Cleveland Arena, where in January he did
$45,000 matching Emile Griffith with his own middleweight, Doyle Baird. "If
a show goes good," says Elbaum, "I live good." He did not live good
as a result of putting together Chance's Canton preliminaries, he points out,
because Chance neglected to pay him for his services.
"That's
ridiculous!" shrieks Chance, declaring that he agreed to pay Elbaum $250
for arranging the preliminaries and that he indeed paid him the two-fifty even
though Elbaum unabashedly milked the show for a personal bonus. "He takes a
kid who's banned everywhere—a kid named Skip Jackson, a lousy bucket carrier
out of a gym in Akron—and tells people this kid is the West Virginia
middleweight champ," Chance bellows. Elbaum matched the so-called bucket
carrier with his Doyle Baird, who found it necessary to put in less than one
round's work. "I give Baird $700," Chance goes on, "and the other
guy never threw a punch. But I don't owe Elbaum a cent. He says all these
things for one reason—publicity. Don't even put his name in the story. Refer to
him as 'some shortstop promoter.' "