Bill Soberanes, a
columnist for the Argus-Courier, recalls the first wrist-wrestling contest in
Petaluma, Calif. "It was held in Mike Gilardi's bar," he says. "A
quiet place, damp and shady like a cellar, illuminated for the occasion by a
single 250-watt light bulb. It was back in 1953. The building should have been
preserved as a landmark, but now we have a branch of the Bank of America where
Mike's bar used to be. Jack Homel, a trainer for the Detroit Tigers, was
vacationing here at the time, and we induced him to grapple with Oliver
Kullberg, a 200-pound rancher who was supposed to be the strongest man in
Sonoma County. The match went on for three minutes; the ref called it a draw.
The table collapsed under their weight." Genesis.
Arm-to-arm
combat. Sweat and violent bursts of energy. Right arms pumped full of blood,
biceps bulging out of short-sleeved shirts. The site of the present
championship is the Veterans Memorial Building, a cavernous old hall in the hen
house of America. Petaluma, self-proclaimed Egg Capital of the World. And now
exalted by the public proclamation of Governor Ronald Reagan ("Be it known
by all these present...") as the Wrist-Wrestling Capital of the World, too.
The city is a mecca by default, since it is the only place the wrist-wrestling
championships have ever been held.
The wrist
wrestler's motto is "Raw Strength and Courage," but the fact is that
anyone with an arm and opposable thumb can take part in the sport. In Million
Dollar Legs, a 1932 film featuring Jack Oakie, W. C. Fields, Ben Turpin and
Hugh Herbert, the affairs of the nation were settled by wrist wrestling: Hugh
Herbert, Secretary of the Treasury, was matched against W. C. Fields, the
President (stutterer vs. mutterer). Herbert lost. In The Old Man and the Sea,
the old man grappled for something like 24 hours with an opponent in a Cuban
bar—certainly nothing like the slambang bursts at Petaluma. Charles Schulz,
creator of the comic strip Peanuts, made Petaluma's barroom competition
internationally famous by sending Snoopy to enter the championship a couple
years ago. Snoopy was disqualified because he did not have a thumb.
Veterans Memorial
Building, 1094 Petaluma Blvd. South, seats 3,000 and is spotlessly clean. You
could eat off the floors—or the walls and ceiling if you happen to be a human
fly. A few hours before the wrist-wrestling matches, a group of war mothers
gathers, smelling of lavender and Johnson's Baby Powder, wearing patriotic red,
white and blue pompons on their shoulders. It is apparently their regular
meeting. They sit on baby-blue folding chairs. White cones in the ceiling shed
soft light on them through circular metal grids. I come upon the women in my
search for the wrist wrestlers. I cause a stir and back out carefully.
Finally I locate
the weigh-in room. The contestants are lined up, fully clothed—five pounds off
for garments. I speak to a contestant named Bill Rhodes, nicknamed The Colossus
of Rhodes. Actually he is a lightweight (in a class for men up to 175 pounds).
He is in his 20s, has short hair with long sideburns and sits across from me at
a card table. He is dressed in jeans, cowboy boots and a thick belt secured by
a heavy silver buckle. His hidden brute force is belied by his voice. He speaks
in a quiet manner. It is obvious that he takes the championship very
seriously.
"My first
year out here I spent six weeks training," he says. "I started out at
196 pounds. In those days I was living and working out with Jim Pollock, the
middleweight champ. He suggested I go into this arm-wrestling thing. I wasn't
too excited about it, but I went to the gym with him and tried it with some of
the fellows around my weight and did real well. I figured it would be best to
compete as a lightweight—I'd have a better chance in that class—so in a month
and a half I had to lose 21 pounds but somehow maintain the strength I had. I
managed to make the weigh-ins and took second place. That was two years
ago.
"Last year I
started my workouts earlier. I had less weight to lose because I kept it down
during the year. But my training process was interrupted by my job. I'm a
transportation engineer—a truck driver. Mostly short hauls. At the
championships I went down swinging. I really had a good fight with this kid
Mike Dolcini from Petaluma. We fought for quite a while, and it was a matter of
endurance. Finally we lost grips because of the sweat on our hands; it was the
first time I'd ever seen this happen. We had td begin over. It was an even
start, neither one got the jump, and we just fought and fought and fought, and
finally I could just feel my arm fading. And at that point my 12-year-old
brother could have put me down. I just stood there and watched the arm go
down."
To get himself
ready for this year's contest, Rhodes says he has tried to immerse himself in
the environment. "But all week long I've had to turn my mind off because I
just start getting freaky," he continues.
"Last year I
was so excited for the guy that won—he had beaten me in an earlier match—I ran
up and put my arms around him and shook his hand. It was different the year
before when I took second place. That time I was depressed, feeling that I had
lost unfairly. I was fighting in the finals against a guy who didn't look like
he would be difficult. But he looked very fast on his start. So when the ref
started us, I wanted to get a jump; but I relaxed just before he said go, lost
the jump, and when I tried to recover I pulled my elbow out and the referee
gave it to the other guy. Well, I was disappointed, but not upset because I
knew I could have beaten this guy."
There are few
other sports in which a man is so completely alone. The boxer has his handlers
to sponge him off and give him advice between rounds. He can come back strong
after losing a few rounds; he has time. But the wrist wrestler has won or lost
in a matter of seconds. A man risks explosive defeat under the spotlight.
Manhood is at stake: he may be king in his own environs but, wham, in a second
or two he is reduced to nothing in front of those who have considered him
indestructible.