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CASTING ON A SEA OF MEMORIES
Thomas McGuane
September 27, 1971
Because this was a visit and a return, I might have had the nerve, right at the beginning, to call it Sakonnet Point Revisited and take my lumps on the Victorianism and sentimentality counts, though half a page of murder and sex at the end would bail that out. But one always knew from Lit I on that if you are to cultivate a universal irony, as Edmund Wilson told Scott Fitzgerald to do, you must never visit anything in your works, much less revisit—ever.
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September 27, 1971

Casting On A Sea Of Memories

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When I got to the end and could see the islands with their ruins, I could observe the narrow, glittering tidal rip like an oceanic continuation of the rocky ridge of the point itself.

A few days before, the water had been cloudy and full of kelp and weed, especially the puffs of iodine-colored stuff that clung tenaciously to my plug. Today, though, the water was clear and green with waves rising translucent before whitening onto the hard beach. I stuck the butt of my rod into the sand and sat down. From here, beautiful houses could be seen along the headlands. A small farm ran down the knolls with black-and-white cattle grazing along its tilts. An American spy was killed by the British in the farm's driveway.

My cousin Fred came that evening from Fall River and we fished. The surf was heavier and I hooked and lost a fish very early on. There were other bass fishermen out, bad ones mostly. They trudged up and down the shore with their new rods, not casting but waiting for an irresistible sign to begin.

When it was dark, Fred, who had waded out to a far rock and who periodically vanished from my view in the spray, hooked a fine bass. After some time, he landed it and made his way through the breakers with the fish in one hand, the rod in the other.

On my previous nights I had gotten a fish on my last cast of the evening. I made one more tonight and got nothing. I kept casting, hoping to take a bass on my last cast. Nothing. And my time had almost run out.

It is assumed that the salient events of childhood be inordinate. During one of my first trips to Sakonnet, a trap boat caught an enormous oceanic sunfish, many hundred pounds in weight. A waterfront entrepreneur who usually sold crabs and tarred handlines bought the sunfish and towed it to the beach in an enclosed wooden wagon where he charged 10� admission to see it. I was an early sucker—and a repeater. In some primordial way the sight seems to have taken like a vaccination; I remember very clearly ascending the wooden steps into the wagon whose windows let water-reflected light play over the ceiling.

One by one we children goggled past the enormous animal laid out on a field of ice. The huge lolling discus of the temperate and tropical seas met our stares with a cold eye that was not less soulful for being the size of a hubcap.

Many years later I went back to Sakonnet on a December afternoon as a specific against the torpor of school. I was walking along the cove beach when I saw the wagon, not in significantly worse repair than when I had paid to get in it. And, to be honest, I never made the connection that it was the same wagon until I stepped inside.

There on a dry iceless wooden table lay the skeleton of the ocean sunfish.

It seemed safe to conclude in the face of this utterly astounding occasion that I was to be haunted. Accommodating myself to the fish's reappearance, I adjusted to the unforeseeable in a final way. If I ever opened an elevator door and found that skeleton on its floor, I would step in without comment, finding room for my feet between its ribs, and press the button of my destination.

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