Every man, to some
degree, is a victim of his childhood fantasies. For many who are now in their
40s and 50s the dreams had wings; wings and names like Waco and Monocoupe,
Lindbergh and Earhart, Stinson and Aeronca, Doolittle and Rickenbacker. These
were airplanes and aviators, and they radiated romance and adventure, the stuff
of heroes, the kinds of goals that seemed as unattainable as real wings to
those kids who built balsa-wood flying models and hung along the fence at the
local airport, watching and hearing and smelling the stuttering rise of the air
age.
Today, a few
members of the balsa-wood set have been able to make their childhood yearnings
come true. And now that they are big kids, they like to get together and show
off. On a fine summer week last year more than 300 representatives of the
pre-World War II generation flew their realized dreams into a converted cow
pasture in the middle of Iowa: 10 miles west of Ottumwa, opposite a cornfield
near a farming town called Blakesburg, population 450.
Upon their
arrival, the scene added up to $250,000 worth of sunbaked, ragweed-infested
nostalgia. It was a 70-acre replica of a Bonnie and Clyde airfield complete
with T-form grass runways, three corrugated metal hangars and aircraft parking
bays where pilots shut down their cherished relics in rows beside the trees and
often camped beneath the wings. The field had no control tower: the only
concessions to the present were FAA and U.S. Weather Bureau operations offices
set up to give the antiquers some notion of what else was in the air besides
sentimentality.
The entire layout
was the fantasy fulfillment of an Ottumwa native, Robert L. Taylor, a onetime
aviation service owner and operator who founded the Antique Airplane
Association in 1953, nursed it through numerous vicissitudes and finally moved
it to the grounds of his 177-acre farm. He lends the farm rent-free to the AAA
(not to be confused with the American Automobile Association), which currently
has 5,500 paid-up members and is swelling at the rate of about 500 a year.
During the annual
AAA-sponsored fly-in, billed as the largest of its kind in the country, the
pilots spent the hours from dawn to dusk buzzing around the field in their
magnificent machines, restored Howards and Stearmans and De Havilands and the
like. The fly-in was nine days of wood-and-fabric, seat-of-the-pants flying in
the grand old manner. Beech Staggerwings swept in low formation, tiny
bright-sprayed Pitts Specials flashed up into the sky and one red, white and
blue 1929 Davis fishtailed the full length of the north-south runway, its
Kinner radial blaring out its unique tune. Competitions included formation
flying, spot landings and short-field takeoffs. And, naturally, there was much
bouncing about and breaking of landing gear. One ace ran out of runway and
stuck the nose of his plane in the mud. A dentist from Naperville, Ill. broke
his hand spinning the prop of his Stearman. But no serious mishaps occurred as
the old Jimmy Cagney movie ritual of "switch off, switch on—contact!"
was heard throughout the land.
In the evenings
the enthusiasts drank beer, swapped stories and spent much of the time feeding
their fantasies with movies: A Dash Through the Clouds, a 1912 comedy starring
Mabel Normand; Wings Over Honolulu, a 1937 Universal release featuring Ray
Milland; Air Hawks, a 1935 Columbia epic starring Ralph Bellamy. To complete
the orgy they presented each other (plus the FAA officials and the mayor) with
more than 130 winged awards, some of them as ornate and aeronautical as the
Bendix and Thompson trophies. They passed out trophies for aerobatics and gave
six awards to courtly, 62-year-old Agustin Guti�rrez Pelaez owner of the
largest coffee-roasting plant in Mexico, who flew his parasol-winged Davis Dl-K
all the way from Mexico City where, more than 30 years ago, he had earned the
nickname El Gato (The Cat) for his stunt parachute jumping.
The AAA's
grand-champion award, plus nine others for such feats as outstanding
workmanship, producing the best restoration and owning the best antique, went
to Red Lerille, who was Mr. America in 1960. He flew his yellow 1937 Monocoupe
90-A to the meet, then refused to risk damaging it in the dusty, bumpy, crowded
traffic pattern and remained grounded, polishing the two-seater's exquisite
finish until he flew it back to his health spa in Louisiana.
The general
atmosphere of the event was that of pure escape, dominated by smug shoptalk
about discovering old planes moldering in hangars or barns, picking them up for
a song, saving them from time and decay at considerable expense (an average of
about $5,000 to $10,000 per plane), and restoring them to flying, or even mint,
condition.
On hand to prove
that old heroes were not only human but bitten by the same bug as every other
red-blooded Depression-era sky scout were Harold Neumann, the 1935 Thompson
Trophy winner, now 65 and a retired TWA pilot; EI Gato, who used to parachute
in tandem with a black cat and who once landed his plane in the middle of
downtown Mexico City on a bet; Doug Rhinehart, a 48-year-old from Farmington,
N. Mex. who picks up pocket money doing aerobatics at fly-ins with his 1936
Rose Parrakeet; and Mrs. Ann Pellegreno, an intense, petite blonde who in 1967
flew Amelia Earhart's route in a similar aircraft, a Lockheed Model 10
Electra.
Fittingly enough,
nearly half the AAA membership consists of airline and military pilots and
technicians, men who already have achieved their aerial dreams professionally
only to find that flying today's planes is just another job. "It is like
sitting behind a computer," said one TWA captain, "compared with
getting the feeling of really flying."