Basketball was
never meant to be played to the thumping, mechanical cadence of hip-hop; the
NBA is best suited to the impulsive rhythms of jazz, and that is what Kobe
Bryant played to last Friday night in the cradle of jazz, New Orleans. From the
troubled drama of Bryant's past has emerged a blissful eloquence that, like
Dixieland, is both disciplined and liberating. His jump shot is an elaborate
riff that holds an audience rapt: Shoes squeak in panic around Kobe as he
gathers his breath, his shoulders swaying to the ball-beat at his fingertips, a
distracting glance this way as he bursts there into space, corkscrewing as he
rises up and up, his right leg splayed like a clarinetist leaning back in
full-blown solo.
"The
key," Bryant said afterward, as if reciting a lesson of everyone from Louis
Armstrong to Wynton Marsalis, "is to take your time."
In the last of
six NBA games to be played in New Orleans this season before the Hornets return
full time next fall, Bryant achieved something that hadn't been done in 45
years. Not since the night Wilt Chamberlain scored 100 points in Hershey, Pa.,
had an NBA player scored 50 points or more in four consecutive games, but
that's what Bryant did over an eight-day span. What made Bryant's spree all the
more exhilarating was how it elevated his team: His Los Angeles Lakers had lost
seven straight when he was inspired to take an extended solo. Bryant scored 65
points against the Portland Trail Blazers on March 16, followed by 50 against
the Minnesota Timberwolves, followed by 60 against the Memphis Grizzlies,
followed 24 hours later by 50 against the Hornets--and his Lakers won every
time. The streak ended on Sunday night when Bryant had only 43 points in a
victory over the Golden State Warriors, but if the league's scoring leader
(31.0 points per game at week's end) is still performing at this ethereal level
come the playoffs--he claimed he wasn't tired despite averaging just 157
seconds of rest in the four games--Western Conference contenders won't want
anything to do with the Lakers. "It's phenomenal," says L.A. coach Phil
Jackson, who used to complain that Bryant's prolific shooting was antithetical
to the Lakers' larger goals.
Yet maybe the
most promising indication of Bryant's maturity was his recognition of the
larger meaning of last Friday's game to the Big Easy. He was proud that he
helped draw a crowd of 18,535 (a New Orleans Arena record for a regular-season
game) at a time when the city and its nomadic team are starved for good news.
"They have a sense of appreciation for the game of basketball because this
team was almost taken away from them," Bryant said.
"I've been
doing this almost 20 years, and tonight's going to be the highest gross we've
had since I've owned the franchise," said Hornets owner George Shinn, whose
team has played the balance of its home games in Oklahoma City. "This one
game."
The record crowd
raises more questions about the Hornets' return next season as well as the
NBA's prospects in Louisiana. Since the Civil War no U.S. city has suffered
more than New Orleans, whose population of 223,000 is half of what it was
before Hurricane Katrina hit on Aug. 29, 2005. Can the Hornets survive in a
city dominated by the Saints, who have a season-ticket waiting list for next
year of more than 25,000? And will the NBA's decision to award the 2008
All-Star weekend to New Orleans, as a sign of commitment to the franchise and
the city, backfire because of the rising crime rate?
In February,
Players Association executive director Billy Hunter threatened legal action to
have the All-Star Game moved if New Orleans couldn't provide a safe
environment, though after a recent visit he expressed confidence that the event
will be a success. But that more optimistic message must make its way to
All-Stars such as the Houston Rockets' Tracy McGrady, who said he's thinking
about skipping the weekend because of fears about violent crime, which is up
68% in New Orleans since Katrina.
Bryant offers a
more sympathetic view. "To show the resilience that the city has, you have
to reward it," he says. "I know a lot of players are concerned with
safety and security and things like that, but this city will be fine by the
time that comes around, I'm sure." The energy in the arena--fans loudly
supporting their Hornets, booing controversial fouls that went Bryant's way and
cheering his spectacular plays--helped convince him that better days are ahead.
"To have the All-Star Game here, I'm telling you, it's going to be
absolutely special," he said.
Concerns about
All-Star weekend may be overblown. The French Quarter and other tourist
destinations near the arena suffered either minimal damage or have been
renovated; at Mardi Gras in February the city hosted 800,000 revelers without
major incident. "Our police department has over 1,400 officers, and we will
certainly have a sufficient number in the area," says Sgt. Joe Narcisse, a
spokesman for the New Orleans police.
Other worries
about crime smack of racism. All-Star weekend is a powerful draw for many
African-Americans, who made up a majority of the estimated 85,000 visitors to
Las Vegas for this year's event. Police there reported 403 arrests, which a
department spokesman compared with the number of violations on a typical New
Year's Eve or Super Bowl weekend. Yet repeated references by residents and
tourists to the "element" that had come to Vegas struck many, including
Hunter, as racist. "You would have to be blind, deaf and dumb not to have
reached that interpretation," he says. "The 'element,' or 'those
people,' or 'your people'--everybody knows the buzzwords. Black folk are
sensitive to all of that."