That's where a
writer might start. But a detective?
In the hard drive
of the computer at which Sam was sitting when the first blow struck. She'd
better not start reading any of the plays, screenplays or stories stored there,
because she might not be able to stop. Sam was no dot-com sports hack. He was a
self-taught Shakespeare scholar who had directed three of the Bard's plays
Off-Off Broadway and written and directed a play titled The Man Who Hated
Shakespeare. Nor should the detective lose herself in wonder over the
recommendation from one of Sam's teachers at Manhattan's elite Stuyvesant High
School:
Ten thousand
students and thirty-four years have passed since my first day as a teacher, and
I cannot recall one student of this quality, intelligence and talent.... Sam is
someone who our world should be proud to know as an example of what humans are
all about, and of the heights we can attain. Here he is, Sam Kellerman. The
best of ten thousand.
Open this file:
Zeida's Eulogy. The speech Sam gave when Zeida--that's Yiddish for
grandfather--died in 1997. Go to the part where Sam remembers how the four
Kellerman brothers used to drop to their knees to massage Zeida's nearly
century-old feet as they all watched Yankees games, thinking they were just
providing him a moment's relief from his arthritis ... until one day Sam looked
at those gnarled feet in his hands and saw the poetry.
These are the
feet, he told his brothers, that whisked Zeida to a Gentile neighbor's cellar
to hide whenever roving bands of Jew-killers swept through his Ukrainian
village. The feet that propelled him across the Dniester River into Romania in
1921 to seek a saner life, that kept him upright when the police there jailed
and beat him, that snuck him back home to beg his loved ones to leave, that
trudged away once more in sorrow when he couldn't talk them into taking hold of
their fate.
The feet, Sam
told his brothers, that boarded a ship that took Zeida to Canada, the feet that
crept through a forest and across the U.S. border, that carried him to New York
City, where he ironed shirts for a nickel apiece until he could open a
luncheonette in the Bronx and raise his only child, Henry, who would become a
renowned psychoanalyst and buy two apartments on Fifth Avenue so he and Zeida
could live as relatives did in the old land, a few steps apart.
The feet that
took Zeida to his bedroom to sob the day the letter came informing him that his
mother, sister, brother-in-law, nephew and niece had been rounded up by the
Nazis along with thousands of other Jews and herded to the edge of a ravine,
the Yevpatoriya Ditch, where they were machine-gunned and covered with earth,
which writhed until the sun rose the next day.
But what had that
to do with the crime scene confronting the detective?
IF DETECTIVE
ESTUPINIAN wished to learn how a psychologist's son from Greenwich Village
ended up beaten to death by a boxer from Harlem on the other side of the
continent, she would need eyes, like Sam's, that saw beneath the skin. The skin
on the left corner of Max's lips, for example, the faint disfiguration she'd
notice if she scrutinized his face on TV. The scar that once was a blazing
welt....
Max was three
years old. He had just discovered Batman and deputized two-year-old Sam as
Robin. For years they would patrol their apartment in their Dynamic Duo
costumes, relentlessly droning the old TV show's theme
song--na-na-na-na-na-na-na-na, na-na-na-na-na-na-na-na, Batman!--until suddenly
evil appeared and they'd hurl themselves at it, punching and kicking it into
submission.