Actually, the man
we should thank for the Hall of Fame, but never do, is a different Abner than
Doubleday: Abner Graves, a mining engineer who grew up in Cooperstown and died
in a Colorado insane asylum in 1926 at the age of 92. Graves led an eventful
life, to say the least. He ran away from home at 14 to join the California gold
rush; he rode for the Pony Express; he became a cattle rancher in Colorado; at
75 he married a 33-year-old woman; and at 90 he shot her dead in the mistaken
belief that she was trying to poison him, whereupon he was sent to an
asylum.
Nothing else
Graves did, though, compared in impact to the letter he wrote in 1905, when he
was in his 70s, to Albert G. Spalding. At the time Spalding, a former
righthander who had made a fortune in sporting goods, was engaged in a public
debate with Henry Chadwick, the baseball writer who wrote the first rule book
and devised the box score. The subject of their debate was the origin of the
game, and it was much like the one between creationists and evolutionists:
Spalding believed that baseball was truly American and had sprung from his
native soil, while the British-born Chadwick maintained that baseball was
merely the next step up the ladder from the British game of rounders.
To prove his
point, Spalding appointed a blue-ribbon panel to discover the true origin of
baseball and named Abraham G. Mills, the third president of the National
League, as chairman. The Mills Commission did little more than read mail for
three years; one of those letters was the one from Graves, who wrote that he
remembered that in 1839, or thereabouts, Abner Doubleday had explained the game
to a bunch of his friends playing marbles in front of a tailor shop in
Cooperstown. The boys had then taken a whirl at playing Doubleday's game,
Graves wrote, in Elihu Phinney's cow pasture off Main Street.
Since he had
served under Doubleday during the Civil War, Mills seized upon that story, even
though he should have realized that in 1839 Graves was five years old and
Doubleday was 20, a bit old for marbles. The commission also ignored the
obituary written for the West Point newspaper when Doubleday died in 1893; the
Major General was described as "a man who did not care for or go into any
outdoor sports."
Nevertheless, on
the basis of Graves's letter, written by a man who was soon to be declared
certifiably insane, the commission concluded that Doubleday had invented
baseball in Cooperstown in 1839. Wrote Mills, "I can well understand how
the orderly mind of the embryo West Pointer would devise a scheme for limiting
the contestants on each side and allotting them to field positions, each with a
certain amount of territory." Not exactly an airtight argument.
Needless to say,
Cooperstown embraced the myth wholeheartedly, and in the early 1920s the town
began work building a ballpark on the land that Graves had designated as
Doubleday's proving ground. Nothing much else was done until 1934, when
Alexander Cleland came on the scene. Cleland was the trusted aide of the
richest man in Cooperstown, an heir to the Singer sewing machine fortune named
Stephen Clark. Cleland wasn't much of a baseball fan, but knowing Cooperstown's
claim to fame, he conceived an idea for a baseball museum while riding on a
train to New York City. In a 1934 memorandum to Clark, Cleland suggested that a
museum could contain such things as "funny old uniforms," as well as
baseballs thrown out by presidents, and bats of famous old players.
Then, in 1935, as
if by divine providence, the belongings of Abner Graves were discovered in the
attic of a farmhouse in Fly Creek, down the road a piece from Cooperstown. In
Graves's trunk was the missing link, so to speak, a decrepit baseball that, in
the predisposed minds of the city fathers, "proved" Graves must have
been right about baseball and Cooperstown. Clark bought the ball for $5 and put
it on display in the Village Club in Cooperstown. With the discovery of the
ball--and with the game's dubious centennial in 1939 approaching--Clark and
Cleland stepped up their lobbying efforts with the lords of baseball. Cleland
suggested the selection of 10 alltime all-stars as part of the celebration, and
Ford Frick, then president of the National League, hit upon the idea of a
permanent Hall of Fame.
The idea captured
the public's imagination, and in 1936 the Baseball Writers' Association of
America held its first elections for enshrinement in the Hall. Of the many
players nominated, only five were named on the necessary 75% of 226 ballots:
Cobb (222 votes), Honus Wagner and Ruth (both 215), Mathewson (205) and Walter
Johnson (189).
By the time the
centennial rolled around, 26 men had gained admission to the new Hall of Fame.
On June 12, 1939, the shrine was officially opened. Baseball Commissioner
Kenesaw Mountain Landis, who had been lukewarm on the project for years, waxed
poetic in a speech that day: "Nowhere else than its birthplace could this
museum be appropriately situated. To the pioneers who were the moving spirits
of the game in its infancy and to the players who have been elected to the Hall
of Fame ... we pay just tribute."
Since that
opening day, the annual Hall of Fame summer weekend to honor new inductees has
gotten more and more publicity, and the village has gotten more and more
crowded as fans and now collectors stream into Cooperstown. But through the
years the Hall of Fame weekend has retained its special charm. Where else but
Cooperstown, and when else but that weekend, can you see Lefty Gomez's son
jogging with Babe Ruth's grandson? Or walk through the parking lot of the grand
Otesaga Hotel and spy Mel Allen sitting in the front seat of his car with the
door open, a beer on the dashboard and the Yankees game on the car radio? Or
come across Hall of Famer Cool Papa Bell walking through the Otesaga lobby
after a particularly grueling autograph session with a sign around his chest
saying, OUT TO LUNCH? Or listen to David Eisenhower proudly recite to Hall of
Famer Johnny Mize the famous poem with the famous verse that ends, "But not
your eyes, Mize, not your eyes."