Soon after his
release Liston had his second run-in with a St. Louis cop. The officer had
creased Liston's skull with a nightstick, and two weeks later the fighter
returned the favor by depositing the fellow headfirst in a trash can. Liston
then fled St. Louis for Philadelphia, where Palermo installed one of his pals,
Joseph (Pep) Barone, as Liston's manager, and Liston at once began fighting the
biggest toughs in the division. He stopped Bethea, who spit out seven teeth, in
the first round. Valdes fell in three, and so did Williams. Harris swooned in
one, and Folley fell like a tree in three. Eddie Machen ran for 12 rounds but
lost the decision. Albert Westphal keeled in one. Now Liston had one final
fight to win. Only Patterson stood between him and the title.
Whether or not
Patterson should deign to fight the ex-conled, at the time, to a weighty moral
debate among the nation's reigning sages of sport. What sharpened the lines
were Liston's recurring problems with the law in Philadelphia, including a
variety of charges stemming from a June 1961 incident in Fairmount Park. Liston
and a companion had been arrested for stopping a female motorist after dark and
shining a light in her car. All charges, including impersonating a police
officer, were eventually dropped. A month before, Liston had been brought in
for loitering on a street corner. That charge, too, was dropped. More damaging
were revelations that he was, indeed, a mob fighter, with a labor goon's
history. In 1960, when Liston was the No. 1 heavyweight contender, testimony
before a U.S. Senate subcommittee probing underworld control of boxing had
revealed that Carbo and Palermo together owned a majority interest in him. Of
this, Liston said, he knew nothing. "Pep Barone handles me," he
said.
"Do you think
that people like [Carbo and Palermo] ought to remain in the sport of
boxing?" asked the committee chairman, Tennessee Senator Estes
Kefauver.
"I wouldn't
pass judgment on no one," Liston replied. "I haven't been perfect
myself."
In an act of
public cleansing after the Fairmount Park incident, Liston spent three months
living in a house belonging to the Loyola Catholic Church in Denver, where he
had met Father Edward Murphy, a Jesuit priest, while training to fight Folley
in 1960. Murphy, who died in 1975, became Liston's spiritual counselor and
teacher. "Murph gave him a house to live in and tried to get him to stop
drinking," Father Thomas Kelly, one of Murphy's closest friends, recalls.
"That was his biggest problem. You could smell him in the mornings. Oh,
poor Sonny. He was just an accident waiting to happen. Murph used to say, 'Pray
for the poor bastard.' "
But even Liston's
sojourn in Denver didn't still the debate over his worthiness to fight for the
title. In this bout between good and evil, the clearest voice belonged to New York Herald-Tribune columnist Red Smith: "Should a man with a record of
violent crime be given a chance to become champion of the world? Is America
less sinful today than in 1853 when John Morrissey, a saloon brawler and
political headbreaker out of Troy, N.Y., fought Yankee Sullivan, lammister from
the Australian penal colony in Botany Bay? In our time, hoodlums have held
championships with distinction. Boxing may be purer since their departure; it
is not healthier."
Since he could
not read, Liston missed many pearls, but friends read scores of columns to him.
When Barone was under fire for his mob ties, Liston quipped, "I got to get
me a manager that's not hot—like Estes Kefauver." Instead, he got George
Katz, who quickly came to appreciate Liston's droll sense of humor. Katz
managed Liston for 10% of his purses, and as the two sat in court at Liston's
hearing for the Fairmount Park incident, Liston leaned over to Katz and said,
"If I get time, you're entitled to 10 percent of it."
Liston was far
from the sullen, insensitive brute of the popular imagination. Liston and
McKinney would take long walks between workouts, and during them Liston would
recite the complete dialogue and sound effects of the comedy routines of black
comedians like Pigmeat Markham and Redd Foxx. "He could imitate what he
heard down to creaking doors and women's voices," says McKinney. "It
was hilarious hearing him do falsetto."
Liston also
fabricated quaint metaphors to describe phenomena ranging from brain damage to
the effects of his jab: "The middle of a fighter's forehead is like a dog's
tail. Cut off the tail and the dog goes all whichway 'cause he ain't got no
more balance. It's the same with a fighter's forehead."
He lectured
occasionally on the unconscious, though not in the Freudian sense. Setting the
knuckles of one fist into the grooves between the knuckles of the other fist,
he would explain: "See, the different parts of the brain set in little cups
like this. When you get hit a terrible shot—pop!—the brain flops out of them
cups and you're knocked out. Then the brain settles back in the cups and you
come to. But after this happens enough times, or sometimes even once if the
shot's hard enough, the brain don't settle back right in them cups, and that's
when you start needing other people to help you get around."