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OUTDOORS OR IN, TOP TURKEY CALLER BEN LEE SPEAKS IN A FOWL LANGUAGE
Joan Ackermann-Blount
November 28, 1983
You ever hear early in the mornin' a call so fine it had no yeppin' to it at all? You know, that very first thing the old turkey hen says settin' up in the tree mornin' time? Well, listen here." Ben Rogers Lee, sitting in a diner booth at 4:30 a.m. across from his hunting buddy, Paul Butski, places a newly devised turkey caller in the middle of his tongue. "I cain't hit it every time now," he says, positioning the call—the size and shape of half a Ritz cracker—up on the roof of his mouth. "I think I got something here, Paul. Wait till you hear how raspy it is."
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November 28, 1983

Outdoors Or In, Top Turkey Caller Ben Lee Speaks In A Fowl Language

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In the fall the most effective call is the kee-kee run, the cry of a lost young turkey. It will attract any turkey hen in the neighborhood—it will bring out the maternal instinct in her—and, consequently, any gobbler who happens to be roving nearby. "It's the saddest sound in the world," says Lee, tonguing his mouth caller and producing a series of high-pitched, panicky little squeals. He's driving his pickup truck now, on his way home after a ramble down the dirt roads of a forest reserve. Even though it's off-season, he's jumped out of the truck several times to try, without any luck, to call up a turkey. "Ooh, that kee-kee run'll break yer heart. Sounds like a baby cryin'," he says. His eyebrows arch as if he were listening to a sad country song.

It's dusk. The dead rattlesnakes on the road are barely visible, and the air is thick with fireflies. Lee's cap is pulled down low as he croons, modulating up and down with the hum of the motor. His yelps and puts grow more mellow as the darkness gathers. "You know, callin' is just like talkin'," he says suddenly, realizing he's been thinking out loud. "It just comes naturally."

Deep in the woods all the turkeys are roosting up in the trees. There may be one gobbler out there who's having trouble settling down for the night, a gobbler whose red head glows in the darkness. Over and over he hums to himself a particularly bewitching remark he heard that afternoon, not so much a remark as a song; a song so sensitive, so expressive, it could only have come from a turkey hen whose irresistible beauty would be surpassed only by her astonishing passion. He spends the night, eyes open, waiting for daylight.

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