Outside the gym
it's a chilly and gray Brookline, Mass. evening. Inside it's steamy and hot and
marginally violent. It is the first of October, the last day of a rite known as
orientation camp, and eight players, including one promising rookie and one
has-been, are scrimmaging for their lives against the home team from Hellenic
College. The following morning the veterans would check into camp, and soon
afterward, most of the members of the orientation class would be checking out.
The veterans, after all, are the real owners of the green jerseys—the World
Champion Boston Celtics.
It is seven
o'clock, and the real Celtics are at once celebrating the official end of
summer and dreading the transition from champions to defending champions. No
NBA team has successfully defended a title since the 1969 Celtics, so this last
night of liberty is to be cherished. But not by Larry Bird, who can't wait
until morning.
His premature
appearance in the Hellenic College gym, calculated, as always, to be as
unobtrusive as possible, is, as always, anything but. The pair of worn sweat
pants, the navy-blue sweat shirt and the blue baseball cap bearing the
inscription WEST BADEN POLICE that is pulled down over his straw-blond hair
(but not his blue eyes) fail to mask Bird's true, 6'9", ultra-white
identity. There is a palpable skip in the beat of the practice when everyone
realizes he is in the gym. All the would-be Celtics nod to him in careful
reverence, and what they are thinking shows even more clearly now that he is
here. Bird knows what they're thinking, but he wants them all to relax. He
recognizes his responsibility to them, even though most will never get to play
on his team.
"You guys
gettin' your asses beat again?" he calls out in his southern-Hoosier twang
as he sits down next to some rookies. The tension eases, and the players go
even harder as Bird calls out encouragement across the gym from where Coach
Bill Fitch has been hollering commands all evening. Bird salts his Herb Shriner
Hoosierisms with a dash of Redd Foxx vulgarity and the players love it. Bird is
a champion. He has proved it. But more than that, he is what the Creator had in
mind when he invented the teammate. For this moment—and for this moment
only—all the rookies and free agents and Larry Bird are one. Celtics. Eight
minds cry out at once: "Please grant me the chance to play with Larry
Bird!"
When the court
clears and everyone leaves the gym, Bird ventures onto the floor, alone with a
basketball and a goal to shoot at—a creature in his natural habitat if ever
there was one.
He begins his
routine by setting the ball down by his feet—lovingly, if that is possible—and
then jumping rope vigorously for five minutes to warm up. When he finishes, he
bends down to the ball, but instead of picking it up he gives it a hard slap
and it springs to life, leaping up to Bird's hand like an eager pet. He never
holds it, just begins striding briskly downcourt while the bouncing ball weaves
itself intricately in and out of his legs. He quickens his pace from a walk to
a jog, from a jog to a run—stopping, starting, darting, spinning. The
basketball is his dancing partner, never causing Bird to reach for it or to
break stride in any way. When Bird begins to feel loose, he flings the ball
against a wall and back it comes, in rhythm. Off a door, off a chair...the ball
seems to be at the end of a rubber band attached to his right hand.
Now he finds
himself making layups, 10 with his right hand, 10 with his left. No misses.
Then hooks from eight feet: 10 and 10, no misses. He backs away along the right
baseline for 15-foot jump shots. He misses three in a row, and for the first
time the ball goes its own way and Bird has to chase it. When he catches up
with it, he flings it, a little bit angrily now, off a wall or a section of
bleachers. Once, when he has to go way into a corner of the gym for the ball,
he spots a small trampoline lying on its side. Thwang—he hurls the ball into
the netting and it shoots back to him. A new game. He passes into the
trampoline 25 or 30 times, harder each time, until the ball is a blur flying
back and forth, powered by nothing but flicks of his wrists.
He catches the
last pass from the trampoline, spins and shoots from 35 feet—and the ball hits
nothing but net. Three points. Not only is the shot true, but the ball hits the
floor with perfect spin and, bouncing twice, comes right into his hands at
15-foot range on the left baseline. With his body perfectly squared to the
basket, the fingers of his right hand spread behind the ball, the left hand
guiding the launch, he makes another jump shot. He moves three steps to his
right and the ball is there—as expected—and he swishes another. He continues to
move "around the world" all the way back to the right baseline, making
10 15-footers without a miss and without reaching for the ball. It is always
there to meet him at the next spot. Then he goes back the other way and never
misses. From 20 feet he makes 16 of 20, and then he begins all over again,
running up and down, dribbling the ball between and around his legs, heaving it
off a wall every now and then, putting it down for the jump rope, then calling
it back into action.
After two hours of
this, Bird shrugs off a suggestion that his performance has been slightly short
of incredible. "Nah, I was really rusty," he says. "I've missed it.
Being out there all alone...I've always liked it best that way. At midnight,
like that, when it's really quiet, or early in the morning when there's nobody
else around."
If Bill Russell
symbolized the Boston Celtic ideal of humility, teamwork and excellence through
11 championship seasons, the torch was passed to John Havlicek, then Dave
Cowens and now to 24-year-old Larry Joe Bird. Bird, in fact, carries humility
to an extreme. He spurns publicity (and untold thousands of dollars) and
doesn't enjoy sharing with strangers his innermost—or, for that matter,
outermost—feelings. To some, he is every bit what he calls himself—"Just a
hick from French Lick." He went through most of his senior season at
Indiana State without talking to print reporters because, he explained, he
wanted his teammates to get publicity, too. "When Larry makes up his mind
to do something, nothing can change it." a Celtic official says. That
intense resolve goes a long way toward explaining Larry Bird. "How do you
differentiate the great athletes from the good ones?" asks Cowens, sitting
in his athletic director's chair at Regis College in Weston, Mass. "It's a
savvy, or something. Larry's got it. Something mental that other players with
more physical talent don't have. If I were starting a basketball team, I'd look
for a great center, but if I couldn't find a great one, I'd take Larry
Bird."