The College of
William and Mary basketball team was going no place last season. Then one day
in January its members stepped into the field house at West Virginia University
an hour before game time and found a crowd of 6,100—as large as the field house
would hold—packed tight and screaming. The William and Mary boys gleefully
repaired to the locker room and got ready for fame, which would follow
immediately after the preliminary game involving the West Virginia
freshmen.
Their great day
never came. As they emerged from the locker room the West Virginia varsity also
walked out on the floor—and the crowd walked out of the building. Warm-up was
accompanied by a steady march of the customers for the exits. The William and
Mary players looked at each other in bewilderment, but down court the West
Virginia varsity, an equally ordinary team, was neither mystified, disturbed
nor distracted. When Hot Rod Hundley turned out for freshman basketball the
varsity had to get used to the comings and goings—mostly goings—of West
Virginians.
Hundley is a
sophomore now and attendance habits in the hills around Morgantown are
respectable again. West Virginia may not have the team of former years but it
has, unquestionably, the most colorful and controversial college player in the
country. What is questionable about Hot Rod is whether he is the best.
There are a few
extremists around West Virginia who are already calling Hundley the greatest
basketball player who ever lived. Others, less carried away, merely call him
the best they have seen. Lou Eisenstein, an NBA referee who watched some of
Hundley's freshman games, was of the opinion even then that he could make any
professional team in the country.
Hundley's less
rapturous critics—and he does have less rapturous critics—fault him on two
counts. They detect a laxity in his attitude toward defensive play, and they
look with definite, unconcealed misgiving on an almost irresistible urge
Hundley has to show off. This last is too much for one leading coach who
confesses, "Thank God I don't have to handle him."
Hundley's
showmanship is probably incurable. As a schoolboy he picked out two idols,
Goose Tatum of the Harlem Globetrotters and Bob Cousy of the Boston Celtics.
Most of the year around he worked at acquiring Tatum's genius for deceptive
ball handling and some of Cousy's competitive guile. The results haven't always
been successful. With the freshmen last year Hundley was often so tricky that
his own teammates couldn't stay with him. A man who had gotten himself into the
clear without realizing it was liable to be smacked in the head by a pass from
Hundley, who most likely was looking the other way, busily occupied faking two
other men out of position at the time he let the ball go.
There were other
drawbacks, too. Everybody on the freshman and varsity teams began to imitate
Hot Rod and it got so that the players were more interested in throwing passes
behind their backs and dribbling with their knees than they were in shooting.
The knee dribbling fortunately ended when an official in one game decided the
maneuver was illegal, but West Virginia is still rife with almost-good
continued on page 25 behind-the-back passers, and as everybody knows, there is
nothing quite so terrible as a man who hasn't quite mastered the technique.
West Virginia's
new basketball coach, Fred Schaus, insists though that the faults are all
things that can be corrected in time. Hundley has been playing on a bad knee
that was operated on at the beginning of this season and the one thing he
hasn't been able to do effectively is guard. Schaus, a fine defensive man
himself for five years in the NBA with Ft. Wayne and New York, thinks that when
Hundley has recovered he will be as good as any defensively.
Offensively, what
the fans see in Hundley is a man who can do practically everything. Most
players who specialize in ball handling are indifferent scorers. Hundley as a
freshman averaged 35 points a game, and in six games he didn't even try to
score. Against varsity competition he is averaging 22.4 points a game.
THE
PERFECTIONIST