A person coming
into Madison Square Garden for his first look at the Millrose Games might
easily conclude he had stumbled on an athletic riot.
The scene at
opening night of the Garden's winter track season hasn't changed much in the 41
years the Millrose has been on its program. The floor, a cramped-up area not
much larger than the deck space of a World War II LST, which it resembles when
fully populated, annually is a confusion of athletes, officials and
equipment.
Along the side in
a specially constructed stand, a band tunes up. Occasionally shrill whistles
cut the smoke-clogged air. In the center hurdlers and high jumpers kick their
legs high to stretch their muscles and pole vaulters skim down runways for
trial runs through the deep piles of wood shavings that later on will serve to
cushion their falls. Circling the entire scene is a slim, board track that
gives every appearance of having been stuffed into the arena like a coffee ring
in an undersized cake box. Skinny-legged school boys, a small army of
swift-looking college boys and a handful of confident world champions have been
jogging around the track off and on for over an hour warming up for races that
might not come off until late in the evening.
In the midst of
all this are the officials, the ubiquitous gentlemen who bustle about in dinner
jackets, aimlessly, if genially, getting into the way of the performers and
generally adding to the total effect of bedlam. The impression is misleading
though. Almost unnoticed, the floor suddenly becomes clear, the first boys are
up and the Millrose Games are on.
Now in its 48th
year, the Millrose is one of the biggest indoor track meets in the country and
easily one of the most popular. Consistently high standards of performance and
two outstanding races—the Wanamaker Mile and the Mel Sheppard 600—have brought
to it a success that is all the more remarkable because it was achieved in a
field that is notably fickle where anything but the best is concerned. This
year, as in many years in the past, the Games will be a sellout. A crowd of
15,000 will watch approximately 400 athletes compete in 28 events.
The person most
responsible for the smoothness of this complex operation is a gentleman by the
name of Fred Schmertz, who, admittedly, is the most unlikely prospect to run a
track meet that he ever came across. In the last hectic minutes before the
lead-off race—most often a mile relay involving New York City high school
kids—Schmertz can be seen wandering wearily through the tumult, talking quietly
with fellow committee members whom he credits with being the real reason for
the Games' success, and looking neither like an impresario nor an athlete.
THE WRONG MAN
Schmertz was never
an athlete and there are no athletes in his family. He is a decorous
66-year-old lawyer, eagle beaked, blue eyed and balding and 160 pounds. He
lives in the Bronx. He is married. A son, Howard, is a lawyer; a daughter,
Justine, is a Phi Beta Kappa. For years he has been attorney for New York's
John Wanamaker stores. All fairly normal, except for one thing: few men know
more about human foot racing and its allied exertions than Schmertz does, and
none can approach his perennial enthusiasm or his competence as a promoter of
the sport.
This is said in
all due deference to Schmertz's confreres who will manage the four other New
York meets to follow. Schmertz and the Millrose have been carrying on a public
love affair for the past 32 years and in the opinion of many, the two are the
best. Recently he was ordered by his doctor to slow down. He did—for about a
week. Lately his son has been helping him.
Schmertz drifted
into the job by accident. In 1908 he and other John Wanamaker employees formed
the Wahna Athletic Association for pleasure and exercise. Eventually it became
the Millrose AA, taking its name from Rodman Wanamaker's summer home, and games
were held just about anyplace the space could be found. In 1914 the games
timidly ventured into the old Madison Square Garden, a mile or so southeast of
the present location, and became an immediate success. With older men dropping
out and his own interest growing with the years, Schmertz became a committee
member in 1923 and finally director in 1933.