Hogan's performance proved to architect Jones that the course had been a fair test of championship golf. Hogan did not see it that way, even in victory. "I am glad," he stated grimly at the presentation ceremonies, "I brought this course, this monster, to its knees." It came as somewhat of a shock to hear this, for after his recuperation from his accident there had been some indications of "a new Ben," "a mellower Hogan." It served as a reminder that, as long as he remains a competitive golfer, Ben will probably never be so new or so mellow that the chip on his shoulder will entirely disappear. He seems to like it that way, or maybe it is more accurate to say that he continually translates any opposition, animal, vegetable or mineral, into a personal challenge and derives immense satisfaction from responding to that challenge with all the sense and sinew at his command.
Totally absorbed with producing his best game and a game calculated to win, Hogan necessarily has precious little to say to his opponent or caddy. When he and his old rival, Byron Nelson, played a friendly round the first day of the 1954 Masters, Nelson acting as host for the Augusta National, Ben as defending champion, Byron would drive and Ben would say, "Beauty." Ben would drive and Byron would say, "Beauty," and this was about the extent of their conversation. In this same connection, there is the classic description by the more gregarious Snead on what it is like to play with Hogan: "The only time Ben speaks to you is to tell you, 'You're away, Sam.' " This trenchant silence is one of the elements which make up the memorable picture of "a man at work" that no one who has watched Hogan is ever likely to forget. There he is moving up to his approach shot, walking with that little waggle, his eyes fixed straight ahead down the fairway like a man heading for a spot in the woods where he has marked his ball. He wears the straight-visored, white cap over his tanned countenance. It is a countenance—the mouth set, as ever, in that locked grin which should never be mistaken for Ben's enjoying either the morning air, the devotion of his worshipful gallery, or the shot he has just played, however fine it was. The mind is moving ahead, thinking out the next step in the big picture, filing through this check point and that check point to make certain the next step is the wise step. He stands beside the ball, hands on hips. He examines the lie, studies the type of grass, the wind. He discusses inwardly the best position on the green to place that approach in order to set up the most holeable putt, the type of shot he will play, the club he will play it with. He takes his time, walking ahead sometimes as much as 20 yards as he ponders this decision. Other players go through the same motions, but they seldom give you the impression Hogan does that he is genuinely thinking about what he is doing. Then, the mind made up, there is that light practice swing, the meticulous settling into his stance, the always decisive stroke. If it has been a good shot, there is no expression on Hogan's part to show he acknowledges it as such. However, after he has played a poor shot at a stage of a tournament where it may be costly, there is a change of expression. The grin becomes ironic and his cold gray eyes widen and widen until they seem to be a full inch in height, and when you look at this man, so furious with himself, he is, as his colleagues refer to him, "The Hawk."
No one, I suppose, ever set himself so high a standard of performance. What trying to achieve this standard would take out of the average tournament golfer, no one knows, but one can guess that few others would have the stamina to find it tolerable for long. Ben has talked of championship golf being the result of "20% ability and 80% management," and so it is, but for this formula to function in one major tournament after another, a tremendous giving of one's self is required. It has functioned for Hogan for, without any question of a doubt, no other golfer has ever dedicated himself so unanimously to golf.