In Every great
city certain quarters take on the color of an industry. Fifty-second Street
between Sixth and Fifth Avenues in New York, for example, is given over to
strip-tease palaces. In addition to electric signs and posters advertising the
Boppa La Zoppas and Ocelot Women inside, it can be identified in the evening by
the thin line of nonholding males along the curb who stand on tiptoes or bend
double and twist their necks into periscopes in what must surely be an
unrewarding effort to see through the chinks in the draperies. This is known as
the old college try, since it is practiced largely by undergraduates.
Forty-seventh
Street between Sixth and Fifth, for another example, is devoted to polishing
and trading diamonds. It is lined with jewelers' exchanges, like North African
souks with fluorescent lighting, inside which hordes of narrow men rent
jumping-up-and-sitting-down space with a linear foot of showcase immediately in
front of it. The traders who don't want to sink their funds in overhead stand
out on the sidewalk. There is a social distinction even among them: between
two-handkerchief men, who use one exclusively for diamond storage, and
one-handkerchief men, who knot their diamonds in a corner of their all-purpose
mouchoirs.
The block on the
west side of Eighth Avenue between 54th and 55th street is given over to the
polishing of prize fighters. It has a quiet academic charm, like West 116th
Street when you leave the supermarkets and neighborhood movie houses of upper
Broadway and find yourself on the Columbia campus with its ivy-hallowed
memories of Sid Luckman and Dwight D. Eisenhower. It is a sleepy block whose
modest shops are given over to the needs of the student body—a couple of hock
shops, a pet store and a drugstore which sells bandages and gauze for taping
fighters' hands. A careful etiquette reigns in this student quarter, as it is
impossible to know if you can lick even the smallest man looking into the pet
shop next door to No. 919 Eighth Avenue, which is the Old Dartmouth, or Nassau
Hall, of the University of Eighth Avenue.
Old Stillman, as
this building is named in honor of the founder, is three stories high, covered
with soot instead of ivy and probably older than most midwestern campuses at
that. It is a fine example of a postcolonial structure of indefinable original
purpose and looks as if it had been knocked down in the Draft Riots of 1863 and
left for dead. It hides its academic light behind a sign which says
"Stillman's Gym," against a background resembling an oilcloth
tablecloth from some historic speakeasy specializing in the indelible red wine
of the age of F. Scott Fitzgerald and Warren Gamaliel Harding. Maybe that is
where the artist got the canvas; it is an economical neighborhood. The sign
also says "Training Here Daily," and in smaller letters "Boxing
Instruction—See Jack Curley." This is the university's nearest approach to
a printed catalogue. Doctor Lou Stillman, the president, knew when he put out
his sign in 1921 that an elaborate plant does not make a great educational
institution. In the great schools of the Middle Ages, scholars came to sharpen
their wits by mutual disputation. Prize fighters do likewise.
The narrow window
of the pet shop is divided by a partition, and the show is always the same.
Monkeys on top—which is Stillmanese for "in the feature attraction"—and
a tolerant cat playing with puppies underneath, which is Stillmanese for the
subordinate portion of the entertainment, as for example a semifinal. Dangling
all over the window are parakeets and dog collars. The window draws very good,
to stay with the scholastic jargon, before noon when the fighters are waiting
for Old Stillman to open and around 3, when the seminars are breaking up. A boy
wins a four-rounder, he buys a parakeet and dreams of the day he will fight on
top and own a monkey. There was a time when a boxer's status was reflected by
the flash on his finger, now it is by his pet. Floyd Patterson, a brilliant
star on the light-heavyweight horizon, owns a cinnamon ringtail.
Whitey Bimstein,
the famous trainer, had one of the pet-shop monkeys hooking off a jab pretty
good for awhile. Whitey, a small bald man with sidehair the color of an Easter
chick, would stand in front of the window darting his left straight toward the
monk's face and then throwing it in toward the body, and the monk would imitate
him—"better than some of them kids they send me from out of town,"
Whitey says. Then one day he noticed a cop walking up and down the other side
of the street and regarding him in a peculiar manner. "I figure he thinks
I'm going nuts," Whitey says. "So I drop the monk's education."
"You probably
couldn't of got him a license anyway," Izzy Blank, another educator, said
consolingly.
The affinity
between prize fighters and monkeys is old; the late Jack McAuliffe, who retired
as undefeated lightweight champion of the world in 1896, once had one that rode
his neck when he did roadwork. Twenty miles was customary in those days—they
trained for finish fights—so the monkey and McAuliffe saw a lot of territory
together. "The monk would hold on with his legs around my neck, and if I
stopped too fast he would grab my ears to keep from falling off," the old
hero told me when I had the good fortune to talk to him. McAuliffe was a great
nature-lover and political thinker. When he told me about the monkey he was 69
years old and running in a Democratic primary for assemblyman to annoy his
son-in-law, who would give him no more money to lose at the races.
THE STORY OF THE
MONKEY
"I went into
this contest," he said, "because the taxes are too high, the wages of
the little fellow are being cut, and nobody has ever went right down to the
basis. There are men in our Legislature today who remind me of Paddy the Pig,
who would steal your eye for a breastpin." Not drawing a counter in the
political department, he told me about the monkey.