April—it was
either Tennyson or P. G. Wodehouse who said it—is the golfer's month. All over
the un-southern sections of America, the covers of cut oak branches which
sheltered the greens during the winter have been removed. The uneven, heaving
ground has started after the last thaw to settle into its familiar
conformations, the grass begins to get greener, the fragrance of fertilizer
gradually yields to the bright smells of sun-dried clover and crisp bark, and
the voice of the caddymaster is heard again in the land.
The golfer
awakes after his restless hibernation, his head bursting with new measures he
has thought of or read about or practiced on the cellar mat, measures he feels
confident will enable him finally to master the game of golf to the degree
demanded by his own estimate of his talents. After the past seasons of
disappointment, this could be the year. By late May the 88-golfer has usually
been forced to acknowledge that for some diabolical reason he is not going to
turn into a 78-golfer, and the 95-golfer is delighted to settle for an
occasional "rotten 93." But in April everything seems possible, and
this undoubtedly adds to the golfer's general euphoria as he savors again that
annual enchanting re-realization that golf is a truly wonderful game. He feels
golf, thinks golf and talks golf—other people's golf as well as his own—as he
does at no other time of the year.
For most
Americans the tournament that signals the close of winter and the coming of
spring—the golfer's equinox, as it were—is the Masters, which is regularly held
in Augusta, Ga. the last four days of the first full week in April, this year
April 5-8. Occurring when the golfer's fever is highest, it is followed and
discussed and speculated about as no other tournament. Each April, regardless
of whatever other discussable points are created by the happenings at Augusta,
at the top of the list you will invariably find those ancient enigmas: Why is
it that so few of the low-scoring circuit stars ever shine at Augusta? How is
it that even the veteran experts hardly if ever cut loose with those
spectacular rounds in the middle 60s? Or to put it a little differently, making
adequate allowance for the Augusta National's being a considerably tougher
course than any the players meet on the circuit, still, why all those 74s and
those faltering 77s from golfers who would seem to have the ability to master
the Masters somewhat better? Additionally, why such comparatively unsparkling
iron play? And why, indeed, all those three-putt greens?
To learn the
answer to these questions—as they say on television—it seemed logical to get in
touch with the men who should know, the touring pros. The week of our visit,
the tour was in Houston for the Open of the same name. That is a $30,000 event
and so there was a little more strain in the air than if the boys were playing
San Antonio ($20,000) or Baton Rouge ($15,000). Furthermore, a progressive
committee had roped off all the fairways and given the layout and the
tournament a decided touch of class.
But by and
large, though, the tour is the tour, and at Houston or wherever it happens to
be playing that week, it wears the same, unvarying aspect. All around you are
the familiar sights and sounds. Out on the practice green, where 20-odd pros
are forever noodling away before and after their rounds, Jerry Barber taps the
customary trio of practice balls, getting the feel of the Bermuda. Largely
because of his fluency with his putter, a beat-up brasshead put out by Fred
Matzie of Los Angeles, Jerry has been a consistent money-winner the last few
seasons. A few months ago Jerry finally hit on the exactly appropriate name for
his putter: The Golden Arm.... Practicing next to the man with the Golden Arm
is Gene Littler, winner of the previous tournament. He is greeted by a
colleague with that inevitable bit of badinage, "How's it going, Money
Bags?" Beneath Gene's reserve lurks a pawky sense of humor. "How much
do you need?" Gene asks him casually.
Out in one of
the open practice areas, Dow Finsterwald's dad, a lawyer from Athens, Ohio, who
is a frequent visitor to the tour, watches intently as Dow, an eminently
watchable free-swinger, limbers up with a batch of balls.... In another part of
the forest—and at Houston's Memorial Park course this is no mere figure of
speech; the ordinary practice area can accommodate only a handful of all who
want to practice, so there are golfers firing shots in every available open
area among the pine groves—Sam Urzetta, the 1950 National Amateur champion, now
a professional trying the tour for the first time, punches out a bagful of
seven-iron shots. They are not going out there just the way Sam would
like—there's a slight bit of tail at the end of their flight—but Sam continues
to practice without being too disturbed about it. His easy calmness makes you
remember obliquely that Sam during his last year of college basketball at St.
Bonaventure sank something like 59 out of 63 foul shots....
DEMARET AND
COMPANY
In the next
opening among the pines, Duke Hancock, one of the last of the old brigade of
professional caddies, stands with his arms folded, looking very well these days
and British enough to pose for a sherry ad as he watches Jimmy Demaret warm up.
The patriarch of the touring pros, Jimmy has been enjoying an extremely
successful season after many had considered him definitely over the hill. His
comeback has not only warmed the hearts of all golfers but started up afresh
the old controversy as to Jimmy's correct age. Official records would seem to
suggest that he will never see 45 again, but Demaret, the Jack Benny of golf,
sticks unflinchingly to 43, a figure he has favored for many seasons....
Down the first
fairway, following the threesome Cary is playing in, goes Edie Middlecoff, who
walks more holes than any other golf wife.... On the steps of the clubhouse
Clark Wilcox, the ubiquitous golf-shoe entrepreneur, is overtaken by an earnest
young pro who wants to order two new pairs: one with a maroon suede saddle, the
other straight brown calfskin but with one of those fancy doubled-back
tongues.... Commuting endlessly between the first tee and his headquarters
tent, Ray O'Brien, the portly PGA tour director, stops to explain to another
young player that tomorrow's pairings and starting times will be posted just as
soon as they are completed.... And so on and so on, ad infinitum. Whatever it
may not have, the tour certainly possesses activity, and when you have been
away from it a while, it is always strangely reassuring to return to it—in much
the same way that it is to come back to your place of business after an
absence—and to find that the old machinery is still whirling around.
When you discuss
with the touring pros what they think are the reasons for the remarkable
disparity between scores on circuit courses and at the Augusta National (and,
for that matter, on other championship-caliber courses such as those the Open
is played on), you find that it is a subject to which they have addressed their
minds on many occasions. One player may tip the emphasis a little differently
from another, but there is general agreement as to the contributing
factors.