HE HAD agreed to
the contract. He had put on the jersey. He had taken his seat inside the
stadium club, at the table draped in bunting, and he had begun that final rite
of free agency, the introductory press conference. Only then did the magnitude
of what he'd signed on for become clear. � His interpreter was translating
reporters' questions from English to Japanese, but one question, even when
translated, sounded incomprehensible: Did it factor into your decision that it
has been 100 years since the Cubs won a championship? � Kosuke Fukudome knew
enough history to recognize that he was not joining a dynasty. He realized that
the Cubs were in the midst of a difficult stretch. But a difficult century? For
some reason, team officials had neglected to mention this little detail in the
three-plus years they had spent scouting and courting him.
So Fukudome
scratched his head. He took a breath. He flashed a nervous half-smile. His
contract was for four years, and his name was already stitched across the back
of his jersey. He could not exactly run out of Wrigley Field and fly back to
Japan. He also could not act daunted. "That didn't factor too much into my
choice," he told the assembled reporters on Dec. 19. It was no lie, not
technically. How could something be a factor if he had not even been aware of
it?
Four months later,
sitting in the coffee shop of a downtown Chicago hotel, Fukudome came clean.
"I had no idea it had been 100 years," he said through his interpreter,
Matt Hidaka.
The fact that
Kosuke Fukudome stuck around is making this 100th-anniversary season a whole
lot easier to stomach. Instead of picking at old scabs, the Cubs are
celebrating a new player who does not know Bartman from Bart Simpson. Fukudome
has been a Cub for only a month, but he already gets the loudest pregame
ovations at Wrigley Field. Every time he walks to home plate, the organist
plays a catchy melody that inspires chants of "FOO-koo-DOUGH-may."
Vendors say his jersey is their best seller, by approximately two to one. He
has also spawned a cottage industry outside the ballpark, where you can buy
bandanas with Fukudome's name spelled in Japanese characters or T-shirts with
shout-outs such as FUKUDOME IS MY HOMIE. (The Cubs, though, did have to pull
one unlicensed T-shirt from the outdoor marketplace because it featured their
bear logo with slanted eyes and Harry Caray glasses, over the words HORRY
KOW.)
Fukudome, though,
should not be viewed as some novelty act. There are plenty of reasons why the
Cubs were in first place in the Central Division at week's end: the
rediscovered power stroke of first baseman Derrek Lee, a strong bullpen and,
not least of all, a newfound plate discipline that starts with Fukudome
(sidebar, page 36). Through Sunday, the lefthanded-hitting Fukudome was batting
.326 with a .444 on-base percentage. The notoriously rowdy fans in the Wrigley
bleachers not only hang signs of tribute to him in Japanese, but they also
chant in the rightfielder's native tongue. Their efforts are flattering, if
occasionally puzzling, to Fukudome. Placards with the Cubs' slogan IT'S GONNA
HAPPEN in Japanese have been read by Fukudome to say IT'S AN ACCIDENT. And one
well-meaning bleacher bum keeps yelling a phrase that translates as, "It
tastes good!"
"It's like he
became a legend here," shortstop Ryan Theriot says. "In one
day."
THE FANFARE has
come as a bit of a surprise to Fukudome, who came to the States without the
mythology that preceded Ichiro Suzuki, Hideki Matsui and Daisuke Matsuzaka,
each of whom is a celebrity in Japan. Fukudome believes he already has more
fans in Chicago than back home in Japan, where he was merely a very good player
with two batting titles, four Gold Gloves and an MVP award, in 2006. His
Japanese team, the Chunichi Dragons, played in a midsized market and went 53
years without a championship before capturing the Central League title last
season—without Fukudome, who was recovering from right-elbow surgery. The
Dragons were perhaps most famous for a former manager, Senichi (Burning Hat)
Hoshino, who grew so frustrated with his team during its title drought that he
occasionally punched players in the face when they made mistakes. (Fukudome,
who insists that he escaped any abuse, compares Hoshino with Cubs manager Lou
Piniella—"because of their intensity.")
Here's another
reason Fukudome's instant popularity is a surprise: Nobody saw it coming. In
spring training Fukudome batted a soft .270, with one home run and three
doubles in 82 plate appearances. Most of his hits were weak liners or ground
balls that scooted through the infield. He rarely drove the ball. It seemed
obvious that Fukudome would need a couple of months to adjust to big league
pitching.
Nonetheless, when
Fukudome jogged out to rightfield on Opening Day against the Milwaukee Brewers,
he was struck by the sight of eight shirtless men standing side by side in the
Wrigley bleachers, the letters of his last name painted across their chests. It
was 44�. On the first pitch of the first at bat of Fukudome's Cubs career,
against Ben Sheets, he laced a double off the centerfield wall. "We all
looked at each other in the dugout," says Cubs righthander Ryan Dempster.
"And we were like, O.K., maybe this guy does know what he's doing."
Proving that his
first at bat was no fluke, he went 3 for 3 and hit a game-tying three-run homer
in the bottom of the ninth inning off Eric Gagn�. The Cubs lost the game, but a
phenomenon was born. Ten years after Sammy Sosa hit 66 home runs, turning the
rightfield bleachers into his private cheering section, Fukudome had done the
same, with 65 fewer homers. "When Sosa ran out there, they all tapped their
chests," says Cubs broadcaster and former third baseman Ron Santo. "Now
they bow."